Music Production And Mixing Tips & Tricks

May 2018 ยท 3 minute read

What makes a professional recording expert? What’s the “sound” that the experts get and how do you make your records sound more professional?

The easy answer is - there is no simple answer. But with careful listening and a little experience you can create exceptional results with modest equipment.

Great mixing begins ear

Anyone? Production Sound Mixer UK is your ears! Sorry to tell you that, but listening to ten hours Rave at 110dB can do nothing for them and you may as well give your mix to a turtle as attempt to mix with misused ears.

Listen to commercial recordings of mixes you like, analyse them, listen for the effects and get to know what constitutes the sort of sound you’re after.

Mixing secrets

There is no hidden secret to getting a fantastic sound, but when we had to sum up the key of mixing two words it would be that - EQ and compression. Okay that’s just three words.

These are probably the two main tools used by specialist manufacturers. However, like any tools, if you do not know how to use them you’ll be dividing Habitat tables instead of Chippendale chairs.

That’s where your ears and expertise come in. Here we’ve assembled some manufacturing ideas, suggestions, tips and tricks however they could just be guidelines and need to be accommodated to match your own material. There are no presets you are able to switch in to make a bad recording sound good. And when your initial substance has been badly recorded not even Abbey Road could salvage your mix. But follow these suggestions and see how much your mixtures improve.

Get the level right

You can’t push the levels when recording digitally as possible when recording to tape but you still wish to have as much signal into the system as you can. This usually means watching the levels very carefully for cutting, and recording in an even and constant level.

Some recording software lets you monitor and set the input from inside.


Your ears are only as good as the monitors they listen to.

Oddly enough, you do not necessarily require the priciest Mic. Many leading artists utilize what some may call “average” Mics because they work well and get the business done. You are able to spend a wad onto a huge diaphragm capacitor Mic (yes, they are great for vocals) if you have the lolly but check out lively Mics that are a lot less expensive and may be turned to many tasks.

Mixing MIDI and sound

One of the wonderful things about computer-based recording is the parts can so easily be changed, processed and edited. Additionally, it is so easy to combine MIDI and audio tracks and many musicians use a combination of sample loops, MIDI parts and sound recording.

Audio recordings are usually guitar and acoustic devices such as the sax and vocals. Incidentally, the very best method to record guitars is by sticking a Mic facing its speakers. You’re able to DI them and process them afterwards and this may be cleaner but to get a natural guitar sound a Miced amp is difficult to beat.

It’s not necessary to record drums live and, in fact, it’s difficult to perform and keep a contemporary sound. The quality of the gear which makes drum noises these days is such that anybody with a fantastic riff can seem like a pro.